92 Flavian Architecture
Learning Objective
- Identify some of the key structures erected by the Flavian emperors
Key Points
- Perhaps the most enduring legacy of the Flavian Dynasty was their massive building program, which not only erected new buildings to celebrate their successes, but also renovated buildings, statues, and monuments throughout Rome.
- The most spectacular of these buildings was the Flavian Amphitheater, better known as the Colosseum, built from the spoils of the Siege of Jerusalem.
- The Colosseum was used for gladiatorial contests and public spectacles, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology.
- The bulk of the Flavian construction projects was carried out during the reign of Domitian, who spent lavishly to restore and embellish the city of Rome.
Terms
Apollo
One of the most important and complex of the Olympian deities, variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more.
Flavian Amphitheatre
Better known as the Colosseum, an oval amphitheater in the center of the city of Rome, Italy; used for gladiatorial games, among other activities.
Overview
The Flavian Dynasty is perhaps best known for its vast construction program on the city of Rome, intended to restore the capital from the damage it had suffered during the Great Fire of 64, and the civil war of 69. Vespasian added the temple of Peace and the temple to the deified Claudius. In 75, a colossal statue of Apollo, begun under Nero as a statue of himself, was finished on Vespasian’s orders, and he also dedicated a stage of the theater of Marcellus. Construction of the Flavian Amphitheater, presently better known as the Colosseum (probably after the nearby statue), was begun in 70 CE under Vespasian, and finally completed in 80 under Titus. In addition to providing spectacular entertainments to the Roman populace, the building was also conceived as a gigantic triumphal monument to commemorate the military achievements of the Flavians during the Jewish wars. Adjacent to the amphitheater, within the precinct of Nero’s Golden House, Titus also ordered the construction of a new public bath-house, which was to bear his name. Construction of this building was hastily finished to coincide with the completion of the Flavian Amphitheater.
The bulk of the Flavian construction projects was carried out during the reign of Domitian, who spent lavishly to restore and embellish the city of Rome. Much more than a renovation project however, Domitian’s building program was intended to be the crowning achievement of an Empire-wide cultural renaissance. Around 50 structures were erected, restored, or completed, a number second only to the amount erected under Augustus. Among the most important new structures were an odeum, a stadium, and an expansive palace on the Palatine Hill, known as the Flavian Palace, which was designed by Domitian’s master architect, Rabirius. The most important building Domitian restored was the Temple of Jupiter on the Capitoline Hill, which was said to have been covered with a gilded roof. Among those he completed were the Temple of Vespasian and Titus, the Arch of Titus, and the Colosseum, to which he added a fourth level and finished the interior seating area.
The Colosseum
The Colosseum is an oval amphitheater in the center of the city of Rome, Italy. Built of concrete and sand, it is the largest amphitheater ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in 72 CE, and was completed in 80 CE under his successor and heir, Titus. Further modifications were made during the reign of Domitian (81-96).
The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, with an average audience of some 65,000; it was used for gladiatorial contests and public spectacles, such as mock sea battles (for only a short time, as the hypogeum was soon filled in with mechanisms to support the other activities), animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology.
Construction was funded by the opulent spoils taken from the Jewish Temple after the Great Jewish Revolt in 70 CE led to the Siege of Jerusalem. According to a reconstructed inscription found on the site, “the emperor Vespasian ordered this new amphitheater to be erected from his general’s share of the booty.” Along with the spoils, estimated 100,000 Jewish prisoners were brought back to Rome after the war, and many contributed to the massive workforce needed for construction. The slaves undertook manual labor, such as working in the quarries at Tivoli where the travertine was quarried, along with lifting and transporting the quarried stones 20 miles from Tivoli to Rome. Along with this free source of unskilled labor, teams of professional Roman builders, engineers, artists, painters and decorators undertook the more specialized tasks necessary for building the Colosseum.