261 Malevich

Sal Khan, Steven Zucker, and Beth Harris discuss art and its context using Monet’s Cliff Walk at Pourville and Malevich’s Suprematist Composition: White on White to illustrate their points.

Works Discussed

Claude Monet, Cliff Walk at Pourville, 1882, oil on canvas, 66.5 cm × 82.3 cm (26 1⁄8 in × 32 7⁄16 in), (Art Institute of Chicago).

Kazmir Malevich, Suprematist Composition: White on White, 1918, oil on canvas, 79.4 cm × 79.4 cm (31 1/4 in × 31 1/4 in), (Museum of Modern Art, New York City).

License

Icon for the Creative Commons Attribution 4.0 International License

Art History II Copyright © by Lumen Learning is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.

Share This Book